Backyard

Oakley Creek (Te Auaunga) is one of Auckland’s longest urban streams

It's not often I haven't heard of a place in my own backyard, and the Oakley Creek Waterfall is certainly one of them being only 12 minutes drive from home. I went to investigate and was not disappointed.

It is the only natural waterfall in Central Auckland, and hidden away. It's small and peaceful, but being fairly secluded, it is recommended you go there with a walking buddy. Bring a picnic, it seems to be the way to do it.

There are multiple ways to go onto the walkway and it's all worth a bit of exploring - the signs aren't too helpful. And the typical Auckland question: where do you park?! Google Maps show the track and it depends on where you start from. There are plenty of side streets off Great North Road, some which feed directly into the walkway behind people's houses. You almost feel like you're in their backyard sometimes, for lack of a fence.

A map of it's features, visit the Friends of Oakley Creek website for the full version.

Oakley Creek is like the water spine of the isthmus, going from north Hillsborough near the Manukau Harbour, through Mt Roskill, Waterview (where all the motorway works are occurring) and out to the Waitemata Harbour. Locals may have experienced parts of it, such as the stream running past Mt Roskill Grammar, or the riparian areas in Unitec. Over the years a nice walking track and viewing platform has been constructed to allow better appreciation of this natural habitat, running roughly parallel to Great North Road from the motorway onramp.

Swimming is possible by reports of people jumping in, but I couldn't find any official advice to this. Common sense tells me the stream runs through the length of urban Auckland, so it would accumulate things along the way. Perhaps not swimming there a few days after the rain is advisable which is what we would do at the beaches fringing the city.

The Friends of Oakley Creek (est. 2004) have taken upon themselves to "protect, enhance and restore the ecological health" of the Oakley Creek Environs. They have a map of the walkway, as well as educational events that promote its environment needs. A nice half-day adventure if you're up for it!

Britomart

During my last year of architecture school, I used to always walk down to Britomart. It became a place of familiarity as I explored its 'new' form. In spite of the hipster/fashionista/high end vibe of the present, Britomart used to be a backend piece of the CBD. For some, it was the general vicinity of the Oriental Markets, an impression that floats in my childhood memories. For more recent visitors, back a few years Britomart was the site of a lot of carparking.

Today I won't talk so much about the range of eateries and shops around the Britomart Precinct as they have been reviewed and talked about ad infinitum. I focus on the unassuming, but bulk-consuming Westpac Building.

The building lies on the east side of Takutai Square, now a popular seating and events spot. An atrium cuts through the building from the main axis of Britomart, from the train station, through 'pop up' shops to the square.

Last year, I witnessed a transformation of this usually mediocre space into a full blown catwalk, descending from the stair case from the office blocks on either side. It was a range of shows put together for Britomart Fashion Sessions, recruiting most of the labels displayed in the precinct, such as Trelise Cooper, Juliette Hogan, Taylor and Ted Baker.

What I most enjoyed about this was that it was a publicity event that was a collaborative act: the sharing of the space and the prep areas (which no doubt belong to the large corporates that the building houses), the makeup by MAC, the group shows, the City Farmer's Market and bursting-to-full goodie bags. It is really a credit to the organisers for making the whole precinct buzz with their collective presence.

Streetwear show - Timberland, Onitsuka Tiger, Coucou, Neuw Storeroom, Federation

Taylor, Made and Ted Baker

Important

A message to the paparazzi by Benedict Cumberbatch, known to some of us as the 'new' Sherlock:

Benedict Cumberbatch to paparazzi: "Go photograph Egypt and show the world something important." pic.twitter.com/l0ADTHnZOU
— Ellie Hall (@ellievhall) August 17, 2013

Some food for thought as to where our photography/journalism talent is going or not going.

Alignment

Loved this photo of Vulcan Lane. Reminded me that it's one of Auckland's pedestrian 'laneways'. Think Melbourne style. Will have to get it in the thesis somehow. Vulcan Lane was one of my favourite spots, now overtaken by other places in the city. The subtext which is "Yay! We actually have choices now!"

Thanks @antsgardiner for the inspiration.

Melbourne

A visual summary of my Melbourne trip.

Amazing street art all over the place but this is one of my favourite. Saw a few of the same artist around too - anyone know who did this? (in Stevenson Lane near Chinatown)

Federation Square

Just a mall but had so much architectural effect to the whole thing.

RMIT building by Lyons Architects

The grand hall inside the National Gallery of Victoria - stunning piece of stained glass with Victorian motifs.

Cranes were a common sight, guess Melbourne is developing around its architectural heritage.

National Library of Victoria with two exhibition spaces on the circular spaces wrapping around this central area.

RMIT Design Hub, explored the inside of it quite thoroughly.

One of the many laneways that epitomises Melbourne.

The 'Pixel Building'

An old laneway converted into the lobby of a hotel. Notice the attempt at acknowledging the heritage architecture on the right by an imperfect mirroring.

COCA - contemporary art, unfortunately closed when I went there!

An art installation in the main lobby of NGV, the bowls circulated the water pool and every time they bumped a clear ring of ceramic can be heard.

There are also more photos on my Google+ album.

Brake

Brake House by Ron Sang

Yesterday I had the rare chance to tour the famous Brake House in Titirangi thanks to the Auckland Architecture Association. Designed by architect Ron Sang, a prominent Chinese New Zealander, the house was completed in 1976, before leaky building syndromes and building regulation reforms. The elegance of the house in Titirangi's signature wild naturesque landscape reminded many of American designs like Frank Lloyd Wright's Fallingwater House.

Immediately upon entering the house, you felt the sense of attention to detail that encompassed the architecture of that period. The platform leading into the house had a precarious edginess to it. Eventually we figured it out - a lack of our standardised contemporary handrails. Any such feature (your usual 1m high, grabbable railing) would have destroyed the elegance of the design entirely.

Originally designed for Brian Brake, one of New Zealand's most famous photographers, the house includes a studio, dark room, cinema downstairs as well as plenty of glazing and platforms. As a Japanophile, Brake requested a tatami room (this is the glass box floating out into the bushes, shown above).

Incredible reflections all throughout the house, merging nature and architecture.

The architect Ron Sang came and gave us an intimate insight to the making of this house.

Visiting this house is such an inspiration, but as Ron Sang said, there is no way such a house can be built as it is now because of the many regulatory constraints. Back in the 70s, this building only needed 20 A1 sheets to document it - these days you would need at least 100 sheets marking the incredible change that the architectural profession has had over the years. The fusion of Asian and American design in the woodiness of Titirangi is an incredible feat though and, for those who afford it, it is currently up for sale.

Layer

Experimenting with my transparent butter paper sketches and bringing them into the 3D. Good bases for modelling off. You can see the ancestral altar sitting on one of the top tier near the ridge beam condition - I've yet to determine the nature of this ridge beam and its raising.

I've drawn different conditions: screening, rising, semi-private, alcoves. I'll have to sort out a strategy for arranging these conditions and spaces. I have some ideas of an axis moving through in spreading out vertically into these different spaces.

Dance

Last night I went to 1000 Lovers, a contemporary dance performance by MAP (Movement Architecture Productions) that uses the public space of the waterfront. Amazing, and they also ran the performance twice during White Night (an Art in the Dark event).

Performing at the Gantry at Silo Park.

The audience downloads a music file and listens to the track as they are guided through the site. All the while the dancers perform the entire 50 minute piece counting in their heads and arrive in sync with each other. 

Using the Viaducts Event Centre as a 3D stage.

The barrier at Karanga Square becomes a platform displaying the 'widow' and 'bride'.

Having worked with MAP before, it's fascinating seeing this production come together. I was even lucky enough to go on the first site visit for this rendition (previous performances Tongues of Stone and Blood of Trees). The conversations we had about each of the key locations have come through boldly and with traits of the previous performances.

I'll keep you all updated about MAP's future performances, well worth going. It'll open your mind about places that you probably already use. For more photos from the performance, see the Google+ album.